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But it’s truly great in those moments when you get a sense of how lonely it is at the top, and how all the hangers-on trying to bask in your glory only make you feel lonelier.īlack Panther: The Album contains multitudes, but blesses those multitudes with a singular focus. This album is very, very good in those moments when Lamar is bombastically surveying his kingdom or coaching up the next generation of world conquerors. This is an odd lyrical approach to take on easily this project’s cheeriest song. Oh, you important? You the moral to the story? You endorsin’? Look at me crazy ’cause I ain’t invite you “I don’t even want your congratulations.” Furthermore: “Fuck you and all your expectations,” he raps. It’s the brightest and smoothest and shiniest track Lamar has graced since (yikes) “Bad Blood” the mood is exultant, except that his first verse is a lengthy treatise on how many of his loudest admirers only weigh him down. The second track on Black Panther: The Album is “All the Stars,” a soaring and clobbering pop-R&B anthem costarring SZA, who’s rapidly approaching young-superstar status herself. It’s also yet another reason Kendrick Lamar was the perfect artist to handle the soundtrack: Who knows more about contending with ludicrously high expectations, to the point where he’s seemingly carrying an entire culture on his back?
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This discourse is all very exciting and not a little tiresome. The good people of the internet are already violently arguing about the movie’s sky-high Rotten Tomatoes score. Black Panther, as a multiplex-throttling cinematic event, is saddled with ludicrously high expectations and bound to trigger both widespread euphoria and a fierce backlash when it finally opens on Friday. There’s a striking depth to it all, as Lamar audibly and viscerally wrestles with both the joys and the pitfalls of his status as the reigning Best Rapper Alive. But there are plenty of other notable and commanding voices, too. Lamar’s voice is all over it, whether he’s top-billed on any given track or not. Most of all, though, it’s a killer mixtape, a 14-track whirlwind that cycles through various genres, moods, personalities, and intensity levels without ever losing its command or cohesion. It’s a victory lap for Kendrick following the triumph of last year’s chart- and year-end-list-topping Damn., a label showcase for Lamar and Tiffith’s Top Dawg Entertainment, and a curious travelogue meant to evoke T’Challa’s fictional African nation of Wakanda. Overseen by Lamar and label head Anthony “Top Dawg” Tiffith, it brings together old friends and new, crowing superstars and bloodthirsty up-and-comers, stretching from Lamar’s Southern California stronghold to Atlanta to South Africa.
#Number of words in kendrick lamar albums movie
How bright the crown gleams, and how heavy it hangs.īlack Panther: The Album is a curatorial project, similar to when Lorde snuck Grace Jones onto the soundtrack to the third Hunger Games movie back in 2014. Regardless, in a mere two minutes, he sets a tone of total command and severe anxiety.
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He might be rapping from the perspective of T’Challa, also known as the Black Panther, as the latest Marvel Cinematic Universe superstar assails his own enemies and would-be usurpers Lamar might be impersonating one of those usurpers himself. This might be Lamar interrogating his fellow contenders to the throne it might be those contenders interrogating him. Your native tongue contradicting what your body language say? Lamar, in response, grows more confrontational:Īre you an activist? What are your city plans for?Īre you an accident? Are you just in the way? Halfway through, the beat switches from a gentle piano-recital lullaby to something darker and harder, the bass hits reverberating as though somebody’s pounding on his front door. “King of the past, present, future, my ancestors watchin’.” There is imperial majesty here-as befits the rough-consensus Best Rapper Alive-but unease and anxiety, too. “King of the shooters, looters, boosters, and ghettos poppin’,” he thunders. Kendrick Lamar kicks off the Black Panther soundtrack by rapping the word king 29 times in 50 seconds, in yet another of those dexterous verbal explosions that made him famous, made him beloved, made him royalty.